1964ADEL in-ear headphones to 'save your hearing and your music'
1964Ears has taken to the Kickstarter crowdfunding platform to unveil a "world first" in the form of 1964ADEL – a new four-strong range of in-ear headphones that claim to "save your hearing and your music".
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The manufacturer has teamed up with Asius to integrate RealLoud technology into these new in-ears, which have proved a hit with the crowdfunding community – passing the funding target with 29 days to go.
RealLoud is said to be the only patented audio technology that "delivers a louder, more spacious and richer sound, while minimising the risk of hearing loss" and has been developed by Stephen D. Ambrose.
It works by providing a "secondary eardrum" to absorb "harmful pneumatic pressures" that can be produced by in-ear headphones. This eardrum is called the Ambrose Diaphonic Ear Lens (ADEL).
MORE: Best in-ear headphones to buy in 2014
The ADEL Ambient earphones are the first of four variants, which come in four models themselves – the Ambient 2, with two drivers; Ambient 4 with four drivers; Ambient 8, with more bass response; and Ambient 12.
Secondly are ADEL Control buds that are based on a modular design, letting you adjust ambience level, in-ear impedance and bass response. You can also use them as ear protection in "loud environments".
Meanwhile, the third in the range is the U-Series – a universal-fit version of 1964Ears V-line of in-ears and will be available in four variants. These are the 4, 5, 6 and 8; each of which represent the number of drivers.
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And fourth is the A-Series Custom In-Ear Monitors, which are designed for professional musicians and "the most discerning listener". The A-Series feature noise cancelling and come in two models – the A10 and A12.
For more information, you can visit the Kickstarter campaign page. Early bird prices start at $100 for the ADEL Control; $200 for the ADEL Ambient; $300 for the 1964ADEL Universal; and $1000 for the 1964ADEL Custom.
Pete was content editor on What Hi-Fi?, overseeing production and publication of digital content. In creating and curating feature articles for web and print consumption, he provided digital and editorial expertise and support to help reposition What Hi-Fi? as a ‘digital-first’ title; reflecting the contemporary media trends. He is now a senior content strategist.
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