That Was Then... Pioneer VSA-AX10

The seeds of success were sown with the arrival of the £2700 VSA-AX10 back in 2002.

At the time, Denon and Yamaha bossed most price points, including the premium market. This Pioneer broke that hegemony.

There were a couple of notable ‘firsts’ with this amplifier. It was the first time Pioneer had worked with AIR studios to help fine-tune performance – a fruitful collaboration that continues to this day.

It was also the first time we’d come across the company’s MCACC automatic set-up procedure. Such systems are common now, but back then we were amazed by its comprehensive nature. It did everything from set channel levels and distances to optimising the speakers for the room, although we were less taken with the time it took to do its work.

Sound quality was everything we know and love about Pioneer’s higher-end amplifiers today. The VSA-AX10 sounded agile, massively detailed and impressively punchy.

Today’s SC-LX88 mirrors these traits to a remarkable degree. There’s a pleasing degree of consistency between the two amplifiers when it comes to sonic balance and overall presentation, and that’s a fine testament to the work done at AIR studios.

Of course, the newer amp adds modern features such as 4K compatibility and Dolby Atmos – such things didn’t exist back in the older one’s day – but the VSA-AX10’s sonic DNA remains pretty much undiluted.

The SC-LX88 is as informative and exciting as we could hope for and - like its ancestor did - sets the standards at its price.

MORE: Pioneer SC-LX88 review

MORE: Best Buys: Home cinema amplifiers

Joe Cox
Content Director

Joe is the Content Director for What Hi-Fi? and Future’s Product Testing, having previously been the Global Editor-in-Chief of What Hi-Fi?. He has worked on What Hi-Fi? across the print magazine and website for almost 20 years, writing news, reviews and features on everything from turntables to TVs, headphones to hi-fi separates. He has covered product launch events across the world, from Apple to Technics, Sony and Samsung; reported from CES, the Bristol Show, and Munich High End for many years; and written for sites such as the BBC, Stuff and The Guardian. In his spare time, he enjoys expanding his vinyl collection and cycling (not at the same time).

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