This hauntingly beautiful movie soundtrack is one of Nick Cave’s finest works – and my go-to test score

The Assassination of Jesse James movie poster
(Image credit: Warner Brothers)
  • This article contains some spoilers for the 2007 movie The Assassination Of Jesse James By The Coward Robert Ford.

As you might have already gathered, we’re rather keen on Nick Cave here at What Hi-Fi?. The crown prince of gothic balladeering has never gone out of fashion with audio engineers and sonic testers worldwide, predominantly because he’s a genuine visionary who loves nothing more than stuffing an album full of meaty textures and experimental sonic landscapes. Like Radiohead, Aphex Twin and Massive Attack, he’s a bona fide test room darling, 

1997’s The Boatman’s Call has often been our test album of choice, and you’ll find Into My Arms peppered across reviews for high-end hi-fi down to cheap and cheerful earbuds. The Aussie’s 2019 release Ghosteen, officially as part of Nick Cave And The Bad Seeds, has also provided hi-res fodder, a heartrending work of grief-laden intimacy that can’t be beaten as a tester of emotional transparency, detail and organisation. Cave’s back catalogue is heaving, and it can be hard to know where to begin if you’re seeking a way to get the most out of a would-be hi-fi set-up or potential headphones purchase.

You need something to ease you into Cave’s oft-intense world, something with enough simplicity to be accessible but with enough depth and musical interest to be worthy of consideration in the first place. In collaboration with fellow Australian Warren Ellis, the soundtrack to The Assassination Of Jesse James By The Coward Robert Ford possesses that perfect balance, so much so that it's become a staple of my testing rotation whenever I want to see how well a particular candidate can bring out the rich sense of melancholy that infuses the movie’s elegiac, slow-burning score.

Detail, soundstaging and the usual criteria remain tangibly testable, yet it’s the feeling that the music of Jesse James evokes rather than the technical nitty-gritty that is truly being held up for examination. While some films may opt for densely packed orchestral scores replete with piercing horns and swelling apexes, Cave and Ellis deploy a far more sparse, restrained canvas to complement the movie’s restrained, sometimes ethereal sensibilities. Andrew Dominik’s 2007 release is a deliberate and considered slow-burner that wallows in its mise-en-scene, treating viewers to the endless skies and sparsely populated outcrops of mid-western America in the mid-19th century. 

The Assassination of Jesse James screenshot of Brad Pitt

Perfect soundtrack + smouldering Brad Pitt = great movie.   (Image credit: Warner Brothers)

Tracks rarely employ more than a trio of instruments, making it an easy task to delve into the drawing of a bow across a violin or the twinkling of an old piano and discover exactly how well or poorly a system is conveying those textures and the acres of spaces around them. The quietly reflective Rather Lovely Thing, for instance, is great for demonstrating how a pair of bookshelf speakers, such as the recently reviewed Sonus Faber Lumina II Amator, handle the subtle ebbing and flowing of the music’s glistening piano and full-bodied violin. 

Above all others, it’s the hauntingly exquisite Song For Bob that has earned its place as a staple test track which I can barely do without. Accompanying the movie’s closing scenes in which the sad final days of a guilt-ridden Bob Ford are recounted, it’s a hauntingly beautiful accompaniment which plays as Ford’s demise is narrated and the whole procession plays out with a sort of grim inevitability – as the finality of the narration and mournful string accompaniments attest, Bob is dead long before the shotgun that kills him actually ignites. I use it for testing everything from cheap wireless earbuds to high-end floorstanders, mainly because what I'm looking for is immediate and easy to define: a genuine and authentic emotional response.    

Much of the music accompanying Jesse James is complementary to the action occurring on screen, yet Song For Bob, even without any prior knowledge of the accompanying film or the true story on which it’s based, is evocative enough to convey a heartbreaking narrative purely through the music itself. The strings are deep, rich and ever-so-sombre, breaking your heart with every slow, heavy pull of the bow. Again, texture and space are paramount, but the emotional sucker punch that Song For Bob delivers should rock you to your core – if I don't feel like curling up into a ball on the floor with tears in my eyes and sadness in my bones, there's a problem. 

The Assassination Of Jesse James never received the adulation and acclaim it deserved. Snubbed at the Oscars and rarely talked about in mainstream cinematic circles, it's become something of a lost gem rather than a perennial classic. Even if you don't have almost three hours to devote to the movie itself, I'd urge you to hunt down Cave and Ellis' score and add it to your rotation of test material, especially Song For Bob. Emotionally charged and texturally rich, it's always on hand whenever I need to assess the weight and gravitas a system delivers and, just perhaps, to actually feel something in this cold, cold world. 

MORE: 

This Marvel epic is one of the MCU’s lowest-rated movies – but its soundtrack is pure testing heaven

13 of the best funk and soul tracks to give your hi-fi a funky good time

These are the best OLED TVs to get the most out of your movies 

Harry McKerrell
Staff writer

Harry McKerrell is a staff writer at What Hi-Fi?. During his time at the publication, he has written countless news stories alongside features, advice and reviews of products ranging from floorstanding speakers and music streamers to over-ear headphones, wireless earbuds and portable DACs. He has covered launches from hi-fi and consumer tech brands, and major industry events including IFA, High End Munich and, of course, the Bristol Hi-Fi Show. When not at work he can be found playing hockey, practising the piano or trying to pet strangers' dogs.