At the risk of "teaching your grandmother to suck eggs”, speaker cable
impedance consists of resistance, capacitance and inductance. When you
put cables in parallel (as you have suggested in other posts to get the
impedance down) you increase the capacitance, which has a direct effect
on the sound (it will also cause instabilities in some amplifiers like
Naim)
The sort of capacitance we are talking about here (500pF max) will have no effect on any well designed amplifier. I have encountered instability on a system when a strange cable with woven enamelled wires in a clear sleeve was being used (can't remember the make) but that's exceptional. Inductance would be very low too (maybe a few uH) so for speaker wires resistance more or less equates with inductance at audio frequencies.
Speaker cables are typically between 100-400 ohms. Isolda has a characteristic impedance of eight ohms!
I don't know where on earth you get that idea from. Your grandmother? A speaker cable with an impedance of 400 ohms wouldn't really transfer any signal at all and one of 8 ohms would still sound awful. I would be looking at achieving an impedance of around 0.1 ohm maximum over the entire length.
Max Townshend strongly believes in Impedance matching
So what does that have to do with speaker cables? Nowt.
He'll believe in anything that helps to convince the credulous to part with their cash.
Do you not think its strange that Max takes this trouble to employ a standard electronic practice with his cable
It is a bit. Maybe he should forget such technicalities and concentrate more on making the outside as pretty as possible for the maximum "mug's eyeful" effect.